Divine Play
the Silent Teaching of Shiva Bala Yogi

Swamiji's Treasure
God Realization & Experiences of Shivabalayogi

Tapas Shakti

A History of Swamiji's Books

DVD's

Video Samples

Recordings of conversations with Shivabalayogi

Bhajans & Chants

Shivabalayogi on Bhajans

Bhajan CD's

Bhajan Songbook

Bhajan Bhakti

Photos of Shivabalayogi

Light Body Gallery

About Handloom

Seattle Center for Meditation

 

The
Shivabalayogi
Website
www.shiva.org

SHIVABALAYOGI
His
Successors

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BHAJAN RECORDINGS

Bhajans are devotional songs sung in praise of the many manifestations of God. Shivabalayogi's public programs consisted of an hour of meditation followed by an hour of bhajans.  During the bhajans, Shri Swamiji gives various spiritual experiences.  He would explain that the energies evoked through the devotion and bhajans is the same as that evoked in meditation.

For more information on bhajans and the spiritual experiences they can evoke, click HERE to open the Bhava Samadhi pages of the Shivabalayogi web site.

"Om Shiva" by Azul, an American bhajan

"Om Guru Sharanam" an extended devotional chant

"Adivarapupeta for Mahashivaratri" recorded at the Adivarapupeta ashram in 1994

"Adivarapupeta Bhajans" recorded at the Adivarapupeta ashram in 1996

"Prabhu Balaisha" recorded at the Bangalore ashram in 1993

"Om Namah Shivaya" recorded at the Bangalore ashram in 1993

"Sadguru Sharanam" recorded at the Dehradun ashram in 1994


Om Shiva

Om Shiva, Shivabalayogi Shivabalayogi Om, guiding me home.

Om Shiva was inspired by and graced with the presence of Swamiji during the live recording in 1989. Composed and produced by Azul and American Bhajan Productions, it is dedicated to Shri Shri Shri Shivabalayogi Maharaj.
 

Song composed by Azul. Produced by American Bhajan Productions. Music, choral arrangements, lead and harmony vocals by Azul. Recorded at Rainbow Recording. Recording and mix-down engineer, Gailen Hegna. Additional vocals by Saraswati Meg Walsh, Kalyani Deranja, David Fields, Raymond Diaz, Faye Fields, and Greg LaMothe. Keyboard, Michael Harrison. Violin, Don Lax. Guitar, Azul. Bass, Sandon Wilson. Percussion, Scott Wardinsky. Tablas, Rik Masterson. Drums, Gailen Hegna.

CD 27 minutes   Om Shiva by Azul - Click for sample 
(WMA file, Windows Media format)

 

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OmGuruSharanam RGB 150 sm.JPG (30560 bytes)

 

Om Guru Sharanam

“Surrender to the Universal Lord” is an extended devotional chant dedicated to Shri Swamiji. The music synthesizes the Eastern and Western sounds of a full harmonic choir augmented by an intricate blending of violin, tabla, tamboura, guitar, harmonium, cello and sitar. Professionally recorded and engineered.

Produced by Elisha Faith Rose and Doneshman Julian Adamaitis. Vocals and instruments by Azul Amey, Daya Ram Briggs, Doneshman Adamaitis, Faith Rose, Kalyani, Rik Masterson, Rocky Blumhagen, Sarasvati, Gary Haggerty, Sarasvati Meg Walsh, Shakti Harrison, Terry Cook and Terry Rahm. Recorded at Fresh Tracks, Portland, and at J.B. Studios, Seattle.

Photograph taken during the recording
of "Om Guru Sharanam" reveals a light body
on the right side of the image.

 

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Adivarapupeta for Mahashivaratri

After he completed twelve years of tapas (meditation in samadhi or enlightenment) Shivabalayogi remained in his native village of Adivarapupeta until March of 1963 when he left for his first of his many travels throughout India, then the world. Before he left, he promised that he would return to Adivarapupeta each year for Mahashivaratri, the most auspicious celebration of Lord Shiva, Swamiji’s guru. Poor health prevented him from traveling after 1991, so when he returned to his native place in 1994, the Adivarapupeta devotees were especially ecstatic.

Bhajans on this CD were recorded at the ashram in Adivarapupeta, India, on March 9, 1994. the afternoon Shivabalayogi returned for the last time in his physical body. These are among the best recordings we have of the divinely inspired Adivarapupeta bhajans.
CD,  58 min.
 Click for sample  
 

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Adivarapupeta Bhajans

Adivarapupeta, Shivabalayogi's native village where he completed tapas and established his first ashram, was the place when he first evoked experiences of bhava samadhi, experiences of spiritual ecstasy that can be so intense and divinely intoxicating that one is no longer aware of ordinary consciousness. One is immersed in divine trance.

Each night at the Adivarapupeta ashram, especially on Fridays, devotees sing bhajans and experience the transforming spiritual presence of Shivabalayogi. It was here that  Shivabalayogi first trained devotees to do bhajans for the bhava (trance). The unique blessings of Adivarapupeta, the devotion towards God, and the ability to sing and play bhajans in the way Shivabalayogi instructed make bhajans in Adivarapupeta the most powerful. This collection was recorded at the ashram in 1996.  CD, 72 minutes.

 
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Prabhu Balaisha

Shivabalayogi established his largest ashram in Bangalore, India. It is the main ashram, the place from where he traveled throughout India, Sri Lanka, then later, England and the United States.

Shri Swamiji trained the Bangalore bhajan group to play and sing with devotion and in a style that allows Swamiji to evoke bhava samadhi, direct experiences of the divine reality. Over three decades, Shri Swamiji conducted many thousands of meditation programs throughout Bangalore and many nearby cities and towns. At each program, there were bhajans (devotional singing) after the meditation. He often took with him the specially trained Bangalore bhajan group, and their bhajans, along with Adivarapupeta, are the most famous among Shri Swamiji’s devotees.

The bhajans collected in "Prabhu Balaisha" were recorded at the Shivabalayogi ashram in Bangalore, India, in 1993. CD, 70 minutes.

 

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Om Namah Shivaya

This is a second collection of divinely inspired bhajans recorded at the Bangalore ashram in 1993.

CD, 71 minutes.

 
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SadguruSharanam RGB 150 sm.JPG (32266 bytes)

Sadguru Sharanam

Shivabalayogi encouraged devotees in different places to establish their own bhajan groups. He asked that they play with devotion and attention to each other, keeping the beat, increasing the tempo within each song, and avoiding any break between songs. Devotees invoke Shivabalayogi's presence and sing bhajans in whatever style and to whatever divine form they prefer. The devotion and the rhythm are what is important.

There are many different traditional, popular styles of bhajans in India, and in north India they tend to be more measured than in the south.  Among Swamiji's many devotees in north India, Seenu Dixit is among the most respected for singing bhajans with sweet devotion to his guru. These songs were recorded in Dehradun in 1994, a few months before Seenu sat for five years of intense meditation. He is now known as Baba Shiva Rudra Balayogi.

CD, 75 minutes.

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